Interviews

All of Movie Vault's interviews are exclusive one-on-one's.

	An Interview with directors Jonathan Dayton and Valerie Faris (July 2006) "Well, we had a week to rehearse with the cast before we started shooting. And the most important thing for us was to build this sense of family and a history that they have with each other. We just did a lot of work on their individual relationships, you know, relationships to each other, and we talked about their past and how they..." more >>
	An Interview with John Ottman (July 2006) "Well it’s all about ebb and flow, peaks and valleys. Good symphonies evolve and tell a good story, and so do good films. I think the best film editors are closet composers themselves. They may not know how to write music, but you can just tell when a good editor makes a film there’s almost an internal metronome you can sense in the picture..." more >>
	An Interview with Tsotsi writer-director Gavin Hood (February 2006) "No. I mean, I confess that I’d listened to some but I would lie to you if I said I knew it well. Because while I was writing the script, I was not at home. I was not in South Africa. I was in L. A. and my producers were in L.A. and London. And so when I went home, one of the first things that I did with my producer Peter Fudakowski, was go into a record store and just get as much South African music..." more >>
	Interview with Mamoru Oshii (September 2004) "So um, in the last century, technology has been developed very widely and quickly. I consider that to be a new type of environment which in addition to technology, to be both, a threat to humans, and also a help in the sense that it's gonna change people in a good way. And so, I think technology will, whether good or bad, will keep changing humanity, keep changing the world, keep changing human beings..." more >>
	Interview with Darren Ashton & Damon Gameau (May 2004) "Jodi Matterson the producer and I were really conscious, with this film, that it kept moving, not just because it was a road trip, but because I think some Australian films tend to slow down with one or two points in the actual storytelling and I knew that it had to be a film that kept going. The comedies that you are up against, the American comedies, the teen comedies, they’re unrelenting with their comedy..." more >>
	Interview with Justin Zaharczuk (September 2003) "One thing that happens when you work on and watch a film being made is that you lose all sense of a fresh perspective. To get around this, and do a better job, every once in a while I'd bring someone (who hadn't been there ever) onto Bubba's sets and get their feedback. That helps a lot of times - people walk out of a film going..." more >>
	Interview with Colin Cunningham (July 2003) "As far as 'Spawn' goes, Steve called me at home one day when I was working at a place called CORE. He wanted to know if we were interested in soing some stuff on Spawn because they'd just had a great test screening and New Line gave them more cash for FX. We eventually did work on the motorcycle scene. It was probably the most grueling..." more >>
	Interview with Gregory Jbara (December 2001) "From a business standpoint, it was time to pursue TV and Film in order to broaden my employment options and establish greater visibility as an actor. Working as an actor is really all about sales skills, Broadway now casts TV and film celebrities in their shows for box office security... it was my time to get a TV series or blockbuster movie so I could go back to NYC and play the leading roles I desire..." more >>
	Interview with Lynn Guthrie (March 2001) "Each has there good and bad points. TV is more challenging than features in the respect of time alotted and budget and keeps you moving, while features are done much slower but most times with a lot more production involved..." more >>